Texas Metal

King Diamond in Dallas: How North Texas Became Mercyful Fate’s Working Home

The Danish singer Metallica and Slayer learned from has lived in Dallas–Fort Worth for three decades, and a run of his 1990s records was made in North Texas studios.

October 26, 2026 · 10 min read

King Diamond in black-and-white face paint and a long dark coat, arms spread wide on a blue-lit stage with a drum kit and pale flame props behind him
King Diamond at Mayhem Festival, San Antonio, July 31, 2015. Photo: Ralph Arvesen, CC BY 2.0, via Wikimedia Commons

Yes, King Diamond lives in Texas. The Danish singer of Mercyful Fate has made Dallas–Fort Worth his home for about three decades, and North Texas is where much of his work since 1993 was made. Every Mercyful Fate studio album from 1993 to 1999 came out of two studios there: Dallas Sound Lab in Irving and Nomad Recording Studio in Carrollton. He is alive and active as of October 2026.

The Short Version

  • Who: King Diamond, born Kim Bendix Petersen on June 14, 1956, in Hvidovre, Denmark.
  • Where he lives: the Dallas–Fort Worth area, for about 30 years.
  • Made in Irving: Mercyful Fate’s In the Shadows (1993), Time (1994) and Into the Unknown (1996), plus King Diamond’s The Spider’s Lullabye (1995), all at Dallas Sound Lab.
  • Made in Carrollton: Mercyful Fate’s Dead Again (1998) and 9 (1999), plus King Diamond’s House of God (2000), all at Nomad, and Abigail II (2002), begun there.
  • Made at home: King Diamond’s The Puppet Master (2003), recorded partly at Nomad and partly at his Dallas house.

Where Does King Diamond Live?

King Diamond lives in the Dallas–Fort Worth area. The Austin Chronicle‘s Michael Toland wrote in November 2014 that the singer had “called Dallas/Fort Worth home for the past 20 years.”

When he moved is less settled. Wikipedia says he “relocated to Dallas / Fort Worth, Texas in the 1980s.” The Chronicle’s 20-year figure points to the early 1990s instead. The paper trail is clearer than the move date: by 1993 Mercyful Fate was making records in the Dallas suburbs.

He has talked about the house himself. In an October 2004 Blabbermouth interview about a new live album, he described how guitarist Andy LaRocque’s equipment crossed the Atlantic for the sessions behind The Puppet Master. “We fly all his best gear over from Sweden to my house in Dallas and turn my living room into a studio,” he said.

Why King Diamond Matters to Thrash Metal

Mercyful Fate formed in Copenhagen in 1981, led by King Diamond and guitarist Hank Shermann. Their debut album, Melissa, came out on Roadrunner in October 1983. Don’t Break the Oath followed on September 7, 1984. The band split in April 1985.

Two albums were enough. Wikipedia’s band article calls Mercyful Fate “a formative influence to the then-nascent genres of thrash metal and death metal,” and elsewhere names Metallica, Megadeth and Slayer among the bands that took from them. Lars Ulrich called them “a very, very big inspiration for our sound.” Metallica put an 11-minute Mercyful Fate medley on Garage Inc. in 1998.

What thrash took was the riff writing and the horror. Shermann’s twisting, multi-part songs showed that heavy metal could run long and change direction often. King Diamond’s falsetto and face paint showed it could tell ghost stories. If you only hear one record, start with Don’t Break the Oath. It is the tighter and heavier of the two, and the better first listen.

King Diamond in white face paint with black markings and a tall spiked silver headpiece, singing into a microphone against a deep blue backdrop
King Diamond with Mercyful Fate at Wacken Open Air, Germany, August 4, 2022, during the band’s reunion run. Photo: Sven Mandel, CC BY-SA 4.0, via Wikimedia Commons

King Diamond vs. Mercyful Fate: What’s the Difference?

It is the same singer fronting two bands. Mercyful Fate is the band he started with Hank Shermann in 1981. King Diamond is the band he formed in 1985, with Mercyful Fate guitarist Michael Denner and bassist Timi Hansen, after the first split.

The difference is the format. King Diamond records are full-length horror stories with recurring characters. Abigail, released May 29, 1987, was the band’s first concept album and remains the place to start. Mercyful Fate records are collections of songs built around Shermann’s riffs. Both bands ran side by side from 1993 to 1999. Mercyful Fate then went quiet until it re-formed in 2019.

Two side-by-side live photos: on the left King Diamond in black-and-white face paint and a top hat, gripping a microphone mounted on a bone-shaped stand; on the right Hank Shermann in sunglasses and a black shirt, playing a white guitar with a black pickguard
King Diamond (left) and Hank Shermann (right), the two founders of Mercyful Fate, in a composite of live photos taken between 2006 and 2012. Photos: Андрей Плугин and Achim Raschka, CC BY-SA 3.0, via Wikimedia Commons

Mercyful Fate

Copenhagen, 1981. Start with Don’t Break the Oath (1984), then Time (1994), the best of the North Texas records.

King Diamond

The concept-album band he formed in 1985. Start with Abigail (1987); for the Texas era, House of God (2000).

Mercyful Fate in North Texas: The Dallas Sound Lab Records

Despite the name, Dallas Sound Lab sat in Irving. Russell Whitaker founded it in 1980 at the Dallas Communications Complex on East Royal Lane in Las Colinas. The studio’s own history lists Stevie Ray Vaughan and Pantera among its clients.

The reunion album came first. In the Shadows was recorded at Dallas Sound Lab from February to April 1993 and released by Metal Blade on June 22, 1993. King Diamond, Hank Shermann and Tim Kimsey produced it. Lars Ulrich plays drums on the bonus track, “Return of the Vampire... 1993.” (The label’s story is in our Metal Blade piece.)

Album cover in a gold ornate frame: a woman with long dark hair in a green dress stands with her back to the viewer, facing a bare twisted tree under a moonlit blue sky, with the Mercyful Fate logo at top left
Cover art: In the Shadows (Metal Blade, 1993), recorded at Dallas Sound Lab.

Time followed from the same room. Mercyful Fate recorded and mixed it at Dallas Sound Lab between May and August 1994, again with Kimsey co-producing, and Metal Blade released it on October 25, 1994. It is the most confident of the reunion records and the one to hear first from this period.

The third Irving record was Into the Unknown, cut in January and February 1996 with Kimsey engineering and mixing. Metal Blade released it on August 20, 1996.

King Diamond’s own band used the studio too. The Spider’s Lullabye was recorded and mixed there in September and October 1994, with drummer Darrin Anthony of the Texas band Mindstorm, and came out on Metal Blade on June 6, 1995. Recording for The Graveyard began at Dallas Sound Lab in March 1996. The room had already made a very different Texas record: Rigor Mortis cut its 1988 Capitol debut there with producer Dave Ogilvie.

Album cover showing a large aged human skull on a black background, with the Mercyful Fate logo in gothic lettering at top right and the word TIME in small capitals below
Cover art: Time (Metal Blade, 1994), recorded and mixed at Dallas Sound Lab.
A long two-storey building at the Dallas Communications Complex in Irving, its wall painted as a Renaissance arcade of white columns and arches, behind an empty red-brick plaza with planters and a large oak tree

Dallas Sound Lab Now MediaTech

Dallas Communications Complex, E Royal Ln, Las Colinas, Irving, TX (former site)

Mercyful Fate made three albums here between 1993 and 1996, and King Diamond made The Spider’s Lullabye here. Whitaker’s engineering workshops at the studio grew into MediaTech Institute, whose first class was licensed on January 4, 1999. MediaTech’s Dallas campus is now at 13300 Branch View Ln.

The Dallas Communications Complex, 350 E Royal Ln, Irving, today. Photo: Travis Hawks via Google

Nomad Recording Studio and the Living-Room Studio

From 1997 the work moved north to Carrollton. Mercyful Fate began recording Dead Again at Nomad Recording Studio in October 1997, and it came out June 9, 1998. The band returned in February and March 1999 for 9, produced with Kol Marshall and released by Metal Blade on June 15, 1999. It is still Mercyful Fate’s most recent studio album. King Diamond’s House of God was tracked at Nomad from February to April 2000. Abigail II: The Revenge started there in May 2001.

The Puppet Master, released October 21, 2003, was made a new way. LaRocque’s gear went into the living room of the Dallas house, which became a studio, and King Diamond said the setup “has proved to be very fruitful.” “Then, we went into Nomad recording studio to record the drums and the vocals,” he told Blabbermouth in 2004, and the album was mixed back at the house.

Album cover in pale washed reds and creams: a horned, grinning demonic face crowned with thorns, above the red King Diamond logo and a reaching hand
Cover art: House of God (Metal Blade, 2000), recorded at Nomad Recording Studio, Carrollton, Texas.

Nomad also tied him to local players. On January 27, 2012, a makeup-free King Diamond walked on at the 5th Annual Nomad Recording Studio Throwdown at Trees in Dallas. Blabbermouth reported a three-song set of “The Family Ghost,” “Burn” and “Evil.” His band that night was Michael Harris, Neil Brincks, J.T. Longoria and drummer Matt Thompson.

“He is unbelievable; he is the best guy I ever worked with in a studio.”

That was King Diamond on Longoria, in the same Blabbermouth report. Thompson has been King Diamond’s drummer since 2000. Dallas–Fort Worth had long been a recording town before any of this; Rotting Corpse cut its first three demos at Pantego Sound between 1986 and 1988, a story told on our history page.

A white drum kit with brass cymbals and close microphones set up on a patterned rug in a studio live room, with dark acoustic panels on white walls and a control-room window at left

Nomad Recording Studio Open

4808 Memphis St, Dallas, TX (Design District)

Nomad was in Carrollton when Mercyful Fate made Dead Again and 9 there. The studio, with Gary Long still named on its listing, now works out of the Dallas Design District. Its own website was offline in October 2026, so the link goes to its booking page.

The live room at the current Dallas studio. Photo: Nomad Recording Studio via Google

King Diamond on Texas Stages

The Texas shows go back to the solo band’s first years. On August 21, 1986, Austin’s Militia opened for Metal Church and King Diamond at the Ritz, as our Militia history reports.

Later dates cover the state:

Where Things Stand in 2026

The biggest change this year is on guitar. On July 24, 2026, Metal Blade announced that Gus G. of Firewind would “compose, record, and tour with KING DIAMOND going forward.” The label thanked Andy LaRocque, whose gear once filled that Dallas living room, for roughly 40 years in the band.

Andy LaRocque, with shoulder-length brown hair and a sleeveless black top, playing a black acoustic guitar on a blue-lit stage with gothic set pieces behind him
Andy LaRocque on stage with King Diamond at Hellfest, France, 2016. Photo: Llann Wé², CC BY-SA 4.0, via Wikimedia Commons

Both bands are now in the studio, and Mercyful Fate goes first. In a September 2026 Metal Injection interview, as reported by The MetalList, the new Mercyful Fate album was due to be finished by December 2026 for an expected May 2027 release. It would be the band’s first studio album since 9. King Diamond’s Saint Lucifer’s Hospital 1920, part one of a planned horror trilogy, is aimed at around April 2028. As of October 2026 these are targets from the interview, not release dates Metal Blade has announced.

As for his health, he had triple-bypass surgery in 2010 and has been recording and touring since.

Where to Hear It Live

As of October 2026, neither King Diamond nor Mercyful Fate has announced a Texas date. Mercyful Fate’s first shows since 2024 are two European festivals: Bloodstock at Catton Park, Derbyshire, England, where it headlines the Friday night (August 5–8, 2027), and Leyendas del Rock in Villena, Spain (August 11–14, 2027). Watch the King Diamond tour page, the Mercyful Fate tour page and Metal Blade for announcements.

For Texas thrash in the meantime, Rotting Corpse’s upcoming Texas dates:

The full list is on the shows page.

Hear Rotting Corpse

Start with “The Price of God” (1987)

It’s from the second demo, cut at Pantego Sound in the summer of 1987 with Vinnie Paul engineering, so it’s a good way to hear the DFW studio scene six years before Mercyful Fate came to Dallas to record. The lyric sheet even keeps the spoken intro.

Sources

  1. Wikipedia: King Diamond
  2. Wikipedia: Mercyful Fate
  3. Wikipedia: King Diamond (band)
  4. Wikipedia: In the Shadows (album)
  5. Wikipedia: Time (Mercyful Fate album)
  6. Wikipedia: House of God (album)
  7. Wikipedia: The Puppet Master (album)
  8. Austin Chronicle: Welcome Home, by Michael Toland (2014)
  9. Blabbermouth: King Diamond discusses new live album (2004)
  10. Blabbermouth: Makeup-less King Diamond performs surprise three-song set in Dallas (2012)
  11. Blabbermouth: Mercyful Fate announces first North American tour in over two decades (2022)
  12. Metal Blade Records: King Diamond welcomes Gus G. to the band (2026)
  13. Blabbermouth: King Diamond debuts two new songs at 2024 North American tour kick-off (2024)
  14. ThePRP: Mercyful Fate announce their first live show since 2024 (2026)
  15. Blabbermouth: Mercyful Fate, Electric Callboy and Motionless In White to headline 2027 Bloodstock (2026)
  16. Wikipedia: Into the Unknown (Mercyful Fate album)
  17. Wikipedia: 9 (Mercyful Fate album)
  18. Archaic Metallurgy: King Diamond, The Spider’s Lullabye album credits
  19. Wikipedia: MediaTech Institute (formerly Dallas Sound Lab)
  20. CommercialCafe: Dallas Communications Complex, 350 E Royal Ln, Irving
  21. MediaTech Institute: Our History
  22. Mix: MediaTech Grows (2007)
  23. MediaTech Institute: Contact (Dallas campus address)
  24. The MetalList: King Diamond on the Andy LaRocque split, Gus G. and the new albums (2026)
  25. Tagvenue: Nomad Recording Studio, Dallas

Frequently Asked Questions

Does King Diamond live in Texas?

Yes. King Diamond lives in the Dallas–Fort Worth area. The Austin Chronicle wrote in 2014 that he had called Dallas/Fort Worth home for the past 20 years, and in 2004 he told Blabbermouth about turning the living room of his house in Dallas into a studio.

When did King Diamond move to Dallas?

Sources disagree. Wikipedia says he relocated to Dallas / Fort Worth in the 1980s, while the Austin Chronicle’s 2014 profile says he had lived there for 20 years, which points to the early 1990s. Mercyful Fate was recording in Dallas by 1993.

Which Mercyful Fate albums were recorded in Texas?

Every Mercyful Fate studio album from 1993 to 1999 was made in North Texas. In the Shadows (1993), Time (1994) and Into the Unknown (1996) were recorded at Dallas Sound Lab in Las Colinas, Irving. Dead Again (1998) and 9 (1999) were recorded at Nomad Recording Studio in Carrollton.

What is the difference between King Diamond and Mercyful Fate?

Both bands are fronted by King Diamond. Mercyful Fate is the band he formed with guitarist Hank Shermann in Copenhagen in 1981. King Diamond is the band he started in 1985 after Mercyful Fate split, known for full-length horror concept albums such as Abigail.

Is King Diamond still alive and active?

Yes. In July 2026 his band added guitarist Gus G., and in September 2026 he joined My Chemical Romance on stage at the Alamodome in San Antonio. Mercyful Fate is booked to headline Bloodstock in the UK on August 5–8, 2027, and to play Leyendas del Rock in Spain on August 11–14, 2027. As of October 2026, a new Mercyful Fate album, the first since 9 (1999), is targeted for 2027, and King Diamond’s Saint Lucifer’s Hospital 1920 for 2028.

From the Band

Texas Thrash, Since 1985

Rotting Corpse has played thrash in North Texas since 1985. Their four original demos are remastered on Thrash in Pain or Die Insane.

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